Why is Artaud as a Shizo-thinker still such a mysteriously powerful counterbalance to this time of perfectly uniform existence? Perhaps only because such and such a time lacks the authenticity of sacrificing one's life as art. We have art as a spectacle of representation in all forms of nothingness. But we no longer have artists who believe in what they say and write, and as a seventh seal, they stamp it with their blood in the signs of the ancient land through which they once walked like pilgrims through the sun and frenzy all the way to infinity. In this book, Žarko Paić credibly analyzes all aspects of thinking and writing in the work of Antonin Artauda as a kind of subversive heretic in the avant-garde art of the 20th century. The originality of the approach and the strong author's note with which he enters into the interpretations of the canonical works of reflection not only by Artaud, but also by a whole series of contemporary philosophers, as well as artists, such as Deleuze, Derride and Blanchot, opens the question of the possibility of the transgression of metaphysics on the outcome of the historical sense of language in general.